I saw Mike Leigh's movie Happy-Go-Lucky last night. A British film by the director of Secrets and Lies and Vera Drake, it is, as director Leigh calls it in an interview with The Star, an "anti-miserabilist" film. That sums it up succinctly: the film is about a cute, diminutive cheerful woman, "Poppy," who manages to stay keenly optimistic despite the woes and unfriendliness she encounters in her life.
An English film, it was just recently released in the US and has received astounding reviews and substantial acclaim already. Besides its sentimentality and optimism in a markedly cynical and difficult time, what is striking about the film is its really jarring, realistic quality. Though I found the film slow at times (at a full two hours, it was on the longer side), I found myself forgetting that the film is fictional and the characters are, indeed, simply characters. In an interview with New York Magazine, Mike Leigh elaborates that Sally Hawkins, the actress who plays Poppy, was intended to be at the center of the film before he had worked out the plot details. It is Leigh's unconventional directorial process, wherein he determines the actors before the roles, and the actors improvise and work out the nuances of their characters and their lives, that gives the film its highly realistic, personable quality.
A review of Happy-Go-Lucky in New York Magazine by David Edelstein describes Poppy's outlook as much more than mere whimsy, but rather a deep "design for living"; and I would agree with this reviewer. It encourages us to go out and seek our inner-Poppy. The film is testimony that it is possible, even with unsettling and discouraging circumstances, to maintain a positive outlook in life.
See the official movie site here.
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