I saw Meow Meow at Highline Ballroom yesterday. A cabaret singer tour-de-force, Meow Meow graced the stage with equal parts humor, sexiness, enchantment, bawdiness and political commentary.
She sang in French, German and English, and her repertoire included original songs as well as covers by such artists as Radiohead (she did a jarringly heartfelt, almost heart-breaking rendition of their song "Fake Plastic Trees") and Laurie Anderson.
Meow Meow's performance focused largely on economic issues; after her first song, she was stripped of her dress and jewelry and sang in her underwear, slip and tights. She went on to mock-complain that she could and should be performing on Broadway, but was left to perform at Highline Ballroom, in the middle of the old Meatpacking area, starving and under-appreciated.
Meow Meow performed a large portion of the show with a little girl she referred to as the orphan Isabel. "Much cheaper than adopting from China," she purred, leaving Isabel to sweep around the stage for comic effect. Yet Isabel, a girl of no more than 12 years of age, also exhibited a talented voice and some impressive tap-dancing skills. During quite a few of the songs, Isabel's innocent, youthful sound complemented Meow Meow's older, smokier, more sophisticated voice nicely.
The humor, the political commentary and the gorgeousness of the performance all combined for a spellbinding couple of hours with Meow Meow.
Monday, December 22, 2008
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